The shared space of Hackney Marshes, an audio-visual installation retracing a process of relating between movement artist Claire Loussouarn, filmmaker Dominique Rivoal and the environment of Hackney Marshes.


About the project

Over the past six years, the artists have been moving and filming in Leyton Marshes, a specific area that sits within the nature reserve and common land of Hackney Marshes, in the multicultural city of London; returning once a month to enter in correspondence with this ancient marsh land, its non-human inhabitants and its human passers-by. The concept of correspondence was originally conceived by anthropologist Tim Ingold, as an alternative to intersubjectivity (Ingold, 2018). Ingold writes that ‘to correspond is to move along together in time and space’

As the environment transforms through seasonal change, Claire moves with plants and Dominique relates with her camera.

The installation presents two years of monthly recordings from March 2021 to February 2023 and is further enhanced by an enveloping three- dimensional audio design created by Cesar Salazar Portillo.

Filmed handheld in the emergence of the moment and at times including camera shake and blurriness, the images highlight moments of heightened connections between the seer and the seen in resonance with their situated context.

The four screens, their 360 placement and the spatial soundscape recreate the three-dimensionality of this heightened state of awareness in landscape that both artists experience in each encounter.

The committed nature of this durational and iterative process of returning has enabled a deep listening of both internal and external landscapes in relation to each other and the ecology of the Marshes.

Furthermore, the audio-visual installation therefore invites the audience to slow down and attune their sensate body and felt sense to the incredible spectacle of nature that one can easily miss on an everyday basis.

About the artists

Dominique Rivoal is a Doctoral candidate developing a somatic filming practice, weaving together the interdisciplinary field of screendance (film and dance) with somatic movement practices with the objective of adapting and testing somatic method of self-awareness to encourage alternative ways of seeing and being with.

Claire Lousssouarn is a movement artist, herbalist, filmmaker and anthropologist whose practice is deeply committed to unleash the feral potential of our bodies and expand our understanding of what it is to be human in dialogue with a landscape and its non-human beings. Hackney Marshes, this haven of ecological diversity in the heart of London, has been a fundamental partner in the development of her practice. Her first book How to Be Feral: Movement Practices to Re-wild your Body shares her journey, personal reflections and practices to reconnect with our wild nature, inside and outside. 

Installation Content

About the Installation

Watch the video essay:
A somatic approach to filming


Installation technical information

The installation technical sheet is based on the setting up, running and taking down of the installation at Middlesex University from 30 September to 1st October 2023.

4 screens

Combined front and back rear projection.

16/9 – 3.66 by 2.06 metres

4 projectors

The projectors used for the installation were 12000 Lumen with a short throw lens. The minimum required quality is 5000 lumen with a short lens provided that the room is dark enough to accommodate. Ideally the room needs to be a minimum of 9 by 9 metres and fully blacked out.

For the first iteration of the installation we used two Panasonic PT-RZ12K with a zoom lens and two Panasonic PT-RZ970 with an utlra short throw lens. Two projectors were attached to the ceiling and two others were projecting from the floor behind the screens.

9 speakers

Each screen had a specific speaker attached to it which means that a different soundscape was played for each screen specific to what was happening on that screen visually. The floor speaker by each screens were DB speakers of standard quality.

A surround sound speaker system made up of 5 speakers was also playing from the ceiling. The speakers were rigged DandB audiotechnic (concert professional speakers) placed in the four corners of the room and one in the middle.

The installation will also need a music amp and long audio cables to run from the amp to the speakers.

Media server

We used the Hippotizer Media Server to synch the video and the sound. Qbase is an alternative option which would need to be attached to a powerful computer with 4 video output.

It will require long video HDMI cables to run from the media server or computer to the projectors. We should be able to borrow these from Middlesex University.

Room

The room used for the installation was 11 by 9 metres and 5 metres in height.

The installation would also work really well in a much larger room as the screens projected from behind can be seen from behind and far away. The room which was used for the installation on the documented film was not big enough to fully engage with the screens from behind. This would be possible in a much bigger space and would give the installation another dimension as it could be seen and experienced from different perspectives as well as from inside the square of the screens.

Setting up and taking down

It takes two days and two technicians to put the installation together and one day and two technicians to take it down.